Top 2(00)9 of 2009: #6-4

For your own reference, you can use this link to look up all posts tagged as the Top 2(00)9 of 2009. Hope you enjoy this as much as I did! 🙂 Only one more post after this one…can you guess the Top 3?…

#6. Little Boots – New In Town
From the Album: Hands (2009)
Watch the Video: here

I’m gonna take you out tonight
I’m gonna make you feel alright
 I don’t have a lot of money
But we’ll be fine
No, I don’t have a penny
But I’ll show you a good time
I’ve loved Little Boots since her days in Dead Disco, and her debut solo effort Hands ultimately ties  her with Dragonette‘s Fixin’ To Thrill to be my overall fave record of 2009. So, it should come as no surprise that a Boots track will end up in the Top 10 — but the real question was which one to include. “New In Town” was the first cut to see prominence by Boots in 2009, and announces her triumphantly — her biting ode to Los Angeles and its underground culture. While “Remedy”, “Symmetry”, “Earthquake”, “Meddle” and “Stuck On Repeat” (amongst the rest featured on Hands) saw ridiculous amount of personal airplay, “New” is the perfect reference to the year Little Boots has had. The album was a creative triumph, and although it didn’t have the impact on the UK charts it should have, I’m hoping that this new post-Lady Gaga America will appreciate her when she begins her USA takeover in 2010.

Best Part: From the minute you press play, you’re sucked in. But other than that singalong chorus and the laser-like synth, I love the line “I’ll take you where the music plays for free.”
Other Songs of Note: Pull out your copy of Hands. There you go.
Other Posts RE: Little Boots: My lovefest review of Hands here.
Looking Ahead: Hands is set for an American release in 2010, so she will probably be the first of my overdue UK faves making an impact stateside.

#5. The Saturdays – Wordshaker
From the Album: Wordshaker (2009)
Listen to the Song: here
You such a ‘wordshaker’
Talking, you take it back
Twisting, turning
You such a ‘wordshaker’
I gotta shut you up
Your lips are burning
Seeing as it’s a Girls Aloud-free year, and my faves in Candy Coated Chaos decided to split, I was in desperate need of some good, guilt-less girl-group pop. The Saturdays heard my call to arms, and provided us with their sophomore release Wordshaker. Overall, the gleam is just as sharp as on their debut Chasing Lights, but with a more mature twist. And unlike with their first, I can say with a relaxed heart that this record is much more cohesive and satisifying overall, my favorite being title track “Wordshaker”. Oh, it may not be a single yet, but rest assured, when it does — it better be the #1 that these girls have long since deserved. With the quality pop they’ve been producing since they busted out of the gates with “If This Is Love”, it’s almost mind-boggling to any pop fanatic that they haven’t gotten a #1 yet. Wake up, people of the UK! You get all of the good stuff that Americans miss out on, and yet, you still let it slip through your fingers. And I’m still in the camp that this would serve as excellent crossover to American soil. Please, Fascination Records? Throw a girl a bone, here!
Best Part: That downright epic synth backdrop makes it the type of song which requires the volume to be turned all the way up and then some. Also, the coining of the term ‘Wordshaker’in my own vocabulary.
Other Songs of Note: “Lose Control”, “Ego”, “Forever is Over”,”Denial”, “Not Good Enough”, oh, I should just quit while I’m ahead. Listen to the whole record.
Other Posts RE: The Satz: Wordshaker love here.
Looking Ahead: Per Wikipedia, the album is due for Canadian release in early 2010. Um…excuse you? A few miles to the south, please. Thank you. If not, I smell a roadtrip!
#4. Jay-Z – Empire State of Mind (feat. Alicia Keys)
From the Album: The Blueprint 3 (2009)
Watch the Video: here
I’m from New York
Concrete jungle where dreams are made of
Ain’t nothing you can’t do

Now you’re in New York
These streets will make you feel brand new
These lights will inspire you
Let’s hear it for New York
New York
New York 

Okay, as most of you probably know, I now reside in New York City,  and have lived in New York State all of my life, so this should come as no real surprise. In fact, my Top 5 are all so close in terms of how much I love them, that it was beyond difficult to pick and choose what song doesn’t belong in the Top 3. This song is epic smaltzy nostaglia feel-goodness minus the smaltz part. It makes non-hip hop lovers groove. It makes hip hop fans sway. Alicia’s chorus gives me chills every time. It is a literal time capsule of my move to the Big City this year, and watching the video still makes me watch in awe that I am lucky enough to live here.  It’s even harder to believe that this is Jay’s first #1 as a lead artist in the US. Words can’t even being to truly encompass how much I adore this song from beginning to end, so I won’t even try. I’d rather not get all emotional anyhow. 😉 Suffice to say — living here when this song is the #1 song in the country is a very cool thing indeed.

Best Part: Aside from Alicia’s chorus, “I made the Yankee hat more famous than a Yankee can”, “I’m from the EMPIRE STATE”, and “The City never sleeps, better slip you an Ambien.”

Other Songs of Note: Alicia’s ballad-ized version literally brings me to tears on some days, and is beginning to eclipse the original. Almost.

Looking Ahead: Touche, Hova. I’m paying attention now. The Blueprint 3 is easily one of the best hip hop records I’ve heard in awhile. And in a year that gave success to Soulja Boy Tell ‘Em, that’s really saying something. I think.

Clue: Wait — you’d really think I’d give you a clue into who the Top 3 are? Well, considering I am not repeating artists, there should be at least one glaringly obvious omission so far…The Top 3 will be revealed tomorrow morning (aka Christmas Morning). Happy Holidays, ya’ll!

[WGO] Let’s Hear It For New York

…Settle in, folks. This is gonna be a long one. Let’s take a rather rambly view of ‘What’s Going On’ in the American music market.
In terms of the Hot 100, in this now post-Black Eyed Peas singles chart (well, I suppose it’s not really post, considering “Meet Me Halfway” is #1 this week in the UK), a number of former-#1s all continue to prove their relevance.


Yes, that’s Jay-Z and Alicia Keys, pointing to the stars on the steps of the lit up TKTS fixture in the middle of Times Square, where you can get discounted same-day tickets to all of your favorite Broadway shows. It’s a quintessential landmark of New York — the beautiful place that I get to call home.

The duo have captured the #1 with his ridiculously catchy homage to my city, “Empire State of Mind”. The song is the first time a Hova-centric song has taken the pole position, but he has appeared there three times before as a featured artist (Mariah‘s “Heartbreaker, Beyonce‘s “Crazy In Love” and Rihanna‘s “Umbrella”). I also find it interesting to mention that, per Billboard Magazine, the song is the first time a song has hit #1 that has a New York City-themed title. It’s certainly seen a dramatic rise since being “premiered” this past September at the MTV Video Music Awards, including been an unofficial theme song to the New York Yankees baseball team (and a chanted mantra now that they have officially won this year’s World Series). The song knocked back Owl City‘s suprise breakthough “Fireflies”, which is officially runner up this week and has now held the #1 position for two non-consecutive weeks.

The other main attraction is country group Lady Antebellum and their soaring jump with “Need You Now” from #22 to #5, just behind the aforementioned Jay-Z and Owl City, as well another former #1 Jason DeRulo‘s “Whatcha Say” at #3 and digital phenomenon Iyaz‘s “Replay”. The song is the Digital Gainer of the week (only Taylor Swift has sold more for a country artist in one week), and also per Billboard, it is the first time a country artist has bounced into the Top 10 since the Dixie Chicks in 2007.

It’s also important to note the entrance into the Top 10 by Ke$ha, who is best known for supplying the female vocals to Flo Rida‘s “Right Round” earlier this year, which of course went on to be a ridiculously huge hit. The song has been floating around for quite awhile, so its encouraging to see her finally start to break in a big way.

The complete Top 10 is as follows:
1. Jay-Z feat. Alicia Keys – Empire State of Mind
2. Owl City – Fireflies
3. Jason DeRulo – Whatcha Say
4. Iyaz – Replay
5. Lady Antebellum – Need You Now
6. Britney Spears – 3
7. Jay Sean feat. Lil Wayne – Down
8. Miley Cyrus – Party in the USA
9. Lady Gaga – Paparazzi
10. Ke$ha – Tik Tok

In terms of the album chart, Bon Jovi debuted at the #1 position with their latest, The Circle, selling around 166K. Surprisingly, Andrea Bocelli‘s Christmas album, My Christmas, came in second (don’t underestimate the power of a classical music fanatic!). He, Carrie Underwood and her latest Play On, and the Michael Jackson soundtrack This Is It (arriving in the chart in that order), all managed to sell over 100K this week. Taylor Swift lands at #6, followed by Now That’s What I Call Music 32, Michael Buble and the first volume of the Glee Soundtrack.

I want to extend a hugeeeee congrats to the talented people in Flyleaf (whom call the same label home that I interned at this past year), as their sophomore album Momento Mori debuted at #9! I highly suggest the album if you enjoy pop/rock, and definitely feel that “Beautiful Bride” could be a killer single for them on rock radio. “Again” is already gaining a foothold of momentum, but more on that later…The top 10 is rounded out by — who else? — the Twilight: New Moon soundtrack, selling just shy of 51K.

I realize I haven’t talked about radio spins in a long while and this is something I hope to remedy. Jumping right in:

Ke$ha proves she is hot property to watch, as “Tik Tok” jumps six spots to #14, and is gaining at a rate of almost 40%. She is often compared to contemporary Lady Gaga, who also made big strides this week with “Bad Romance”, the lead single off her new EP The Fame Monster, hits #15 and gaining at a rate of around 23%. Hot 100 chartopper “Empire State of Mind” sees Jay-Z land at #16, also gaining spins rapidly. But the overwhelming winner in terms of spin strides this week at Top 40 goes to (suprise, suprise) Taylor Swift and her ode to first love “Fifteen”. It’s only up three spots to #28, but has gained at a rate of 52.4%.

Jason DeRulo officially rules the #1 spot at CHR/Top 40 radio, beating out Lady Gaga’s “Paparazzi”, which is starting its downtrend in spins given the excitement starting to build for “Bad Romance”. The rest of the ENTIRE top 10 has stayed completely unchanged, however spin counts have gone up and down. Jay Sean’s “Down” (#3), Miley Cyrus’ “Party In the USA” (#4) and Beyonce‘s “Sweet Dreams” (#5) all are suffering from rather considerable losses in spins, while Britney’s “3” (#6), Owl City’s “Fireflies” (#7), Kelly Clarkson‘s “Halo”…err, “Already Gone” (#8) and Black Eyed Peas’ “Halfway” are all garning positive leaps in airplay. The real winner seems to be Iyaz and his runaway hit “Replay”, which lands at #9 this week, gaining around 600 spins.

David Guetta‘s “Sexy Chick” with Akon sees a defiant step toward top 10 territory at #12, up two spots and gaining around 500 spins. The success of the song seems a bit belated in my eyes, but it also sits at the same spot on the Hot 100 this week. It seems to be getting the majority of its respect at Rhythmic formats, sitting at #6 this week and poised to break the 3K spins a week barrier very soon.

Justin Bieber‘s breakthrough single “One Time” is finally starting to wane at pop radio, falling back five spots to #18. It is still hot property at Rhythmic, at #17 and still gaining, but I’m figuring it will probably be giving way for other singles on the Pop chart (“One Less Lonely Girl” waits in the wings at #46, up nearly 10 spots this week), as the fervor around this kid is kind of undeniable. Just today, an autograph signing featuring the teen hearthrob had to be cancelled due to mobbing and fans were even threatened to be arrested by local police! Insane! I have to give credit to Island/Def Jam where it’s due, though — it definitely has it’s finger on the pulse of how to market effectively to the right demographic. Bieber is forgoing the usual debut album release in favor of releasing two shorter EPs spaced a few months apart. Interesting to see how this method fares for him, and if it will become more of a common practice as time goes on to continue momentum for a project.

Despite the fact that her new album hits stores this upcoming Tuesday, Rihanna‘s fresh single “Russian Roulette” flounders at Top 40 radio, staying static at #22 and barely gaining any fresh spins this week. The song debuted in the Hot 100 at #9 last week, and this week, sunk to #16 this week. Hate to say I told you so, Ri — but who knows. Anything can happen in the wake of Rated R‘s release. If anything, Ri’s fresh material seems to be appealing mostly to the Rhythmic crowd, as “Hard” jumps from #39 to #26 and almost doubles its spin count. This makes most sense to me. After hearing Rated R in its entirity, it’s definitely not the pop record we have seen in the past from the Barbadian beauty, so Rhythmic and Urban will definitely be her commercial saving graces.

As “Love Drunk” starts to wane in spins, Boys Like Girls have a fresh single, “Two Is Better Than One”, sitting at #25 (just two spots below the aforementioned), gaining at a solid rate of almost 20%. Orianthi, who was poised to be Michael Jackson’s guitarist for his final tour and appears in the ‘This Is It’ film, sees her debut single “According to You” rise into the Top 40 at #36 and gaining at a reputable range. She may be looking at 1K spins a week by the early December. Keep a weather eye out for some very exciting news regarding her to appear on this blog shortly. 🙂

While I’m pleased OneRepublic‘s new single “All the Right Moves” continues a steady ascent up seven spots to #41, I’m more than a little bummed that Priscilla Renea, a new R&B flavored artist who just brims with potential, falls from #35 to #40 with “Dollhouse” and drops nearly 200 spins.

Top 40 is reflecting my waning excitement for the new Timbaland project, as “Morning After Dark” flounders at #44 and struggles to grab a foothold. Shame, too, because this is the one leaked track I really enjoy.

In terms of Rhythmic, Jay-Z’s New York anthem claims the #1 spot in addition to the Hot 100 #1, and edges out his wife Beyonce’s “Sweet Dreams” at #2. Chris Brown‘s “comeback” track with Lil Wayne, “I Can Transform Ya”, lands him at #9. The song is fun for the ears and the dancing feet, but the more I listen to it, the more I’m irritated by Weezy’s lack of imagination and repeated namechecking of Optimus Prime. ::shakes head::

It surprised me, so it may surprise you. Mariah Carey‘s “Obsessed” sits at #21 at Rhythmic (and losing spins) and #30 (and losing MORE spins) at Top 40. I’m surprised this song is even still relevant at radio. It’s safe to say it’s not the flop we all kind of joked it to be, but there is no question that Island definitely dropped the ball with it.

[WGO] Attempting to Stay Up 2Date

+ The USA officially has another fresh #1. It seems since the Black Eyed Peas fell off the Hot 100 Glory Pedestal we’ve had a slew of artists taking the pride & glory to make up for the months we had of just one group claiming victory (aside from Jay Sean, I suppose). But the new #1 is….Jason DeRulo. Finally, I called it before it happened! Huzzah!

+ A lot of my bloggin’ buddies have started end of decade musical rehashings and countdowns, something I didn’t even begin to think of myself. Considering I’m the procrastinator that I am, I’m going to leave it to the pros. Check out XO’s Middle Eight for some truly great music, ChartRigger‘s list of the Best Songs of the Decade, and my girl Audio Diva‘s breakdown of each year in music (love her list — I can totally relate!). As you can guess, I’m trying to steel myself up to generate my Top 29 Songs of 2009. I’m officially finalizing my plays on December 6th, and will begin unveiling my picks not long afterward.

+ Lots have been coming from the upcoming Timbaland project, and aside from “Morning After Dark”, I have started to lose my enthusiasm. End of an era, I think. Fingers crossed for the full length disc.

+ Haters on Alicia Keys new single, “Try Sleeping With A Broken Heart”, need to sit the eff down. Praise needs to go to Alicia for willing to try something new with her sound. If she kept releasing “No One”, everyone would get bored of her, and that would be the biggest mistake of all for someone as talented as Ms. Keys. And I agree with my dear friend Audio Diva in that it sounds distinctively 80’s epic ballad. Can you say yesssss?

+ I’m a bit behind (read: really really behind) in album reviews as I haven’t had the time to sit down and really listen to fresh music in awhile. Instead, when I do have the chance to listen, I usually listen to songs I already know I enjoy. But of the somewhat recent albums I haven’t had the chance to mention:

  • ShakiraShe Wolf –> I was pleasantly surprised by this record (but really, to call it a full album seems a bit unfair, as its relatively short, no?). I suppose I’m not that behind with this one as it’s still pending a US release date. Still, you can always count on Shakira to bring the unexpected, and I love that she is relatively fearless in terms of experimentation with new and not necessarily radio-friendly sounds (she is a she wolf after all…hardyharhar, not). Much of the album is produced by Pharell Williams (holy blast from the past…and what a strange combo!), including my favorite non-single (yet), the semi-Far East sounding “Why Wait”.

    It’s obvious why “She Wolf” was chosen as the lead single, as it screams radio kitsch, but sadly the majority of the rest kind of flows together. I dig that it’s clear radio success is not her priority — as the album is very good for a car drive or a long trip. Her instrumentation is different in unique, and for that reason, it’s incredibly refreshing in this post-Gaga music industry. It’s for this reason that I’m not quite keen on her new Timbo/Lil Wayne second single “Give It Up To Me” — it doesn’t break any sonic barriers like the rest of the disc does. “She Wolf” still kicks ass, but the rest of the album is seeing a lot of play action on my part as well.
    Key Tracks (In This Order): She Wolf/Loba, Why Wait, Long Time (Esp. that clarinet(?) solo in the second half! Amazing!)

  • Alexandra BurkeOvercome –> Overall, a worthy effort. She is no Leona Lewis, and that fact is kind of shoved down our throats, now isn’t it? She is, however, just as strong a singer, but can prove she can boogie with the best of them. “Bad Boys” still sounds good and circusy, but it has officially been eclipsed by the RedOne-produced (but not RedOne sounding) “Broken Heels”. If that doesn’t become a single, I don’t know what will (not the 2nd single, but it would certainly make a good spring/summer single, yes?). I’m very fond of “Bury Me (6 Feet Under)” and “Nothing But the Girl” for their throwback Motown-ish type sound. I’m starting to dig on “All Night Long” as well. The rest just kind of flows together to me. But I like it. They just aren’t songs I’d immediately hit repeat on, is all.
  • Key Tracks (In This Order): Broken Heels, All Night Long, Bury Me (6 Feet Under), Bad Boys
  • Cheryl Cole3 Words –> I’ve tried with this one. I really have. It’s just not the type of record I expected/wanted/needed from a Girl Aloud. I don’t understand her connection to BEP’s Will.I.Am. At all. With the exception of “3 Words” (which I really like, but still feel would be even better without Will), I feel all of their collabos on this disc (and there are a lot of them) just don’t work. I’ve already voiced my disdain for “Fight For This Love” (too generic), but “3 Words” flows well in its simplicity. If that had been the first single, I might have been actually excited for this project. I won’t rip the project to shreds as others have done — it’s just not my cup of tea. I love Girls Aloud for their manic energy and creativity, and so much of this is the complete opposite. Perhaps that was the idea? ::sigh:: I do like “Rain On Me” (mostly because if it had a bigger synth bottom, it could work as a GA b-side), “Happy Hour” (mostly because it’s a Soulsock/Karlin production and was co-written by an upstart I have a lot of high hopes for, Priscila Renea, and I maintain it would be a million times better if it was Pris’s song), and “Boy Like You” (mostly because of the Fleetwood Mac sample…touche, Will). So much feels so repeative, and…monotone. Suffice to say, I’m looking forward to the next Girls Aloud release. Stat.
    Key Tracks (In This Order): 3 Words, Boy Like You, Rain On Me, Happy Hour